Until very recently it would have been difficult for me to enjoy myself at a tournament if I did not play well--and I set a very high bar to define playing well, which can turn life into a joyless all or nothing proposition. This time I did not allow my performance to affect my mood during the weekend; although I did not play as well as I wanted to play, I learned from my two losses versus Grandmaster Ben Finegold and National Master Seth Homa, I enjoyed GM Finegold's Saturday lecture about GM Hikaru Nakamura and I had an interesting conversation about chess, poker, backgammon and other subjects with Senior Master Fred Lindsay, a bookseller who I have known since my chess career began in the 1980s (I also bought some cool items from Lindsay, including an English translation of GM Miguel Najdorf's Zurich 1953 book).
Both before and after the tournament I spent some quality time with my friend Erika Klotz, a Troy native who showed me around town. My pre-tournament mindset often involves isolating myself so that I can visualize playing well without being bothered by any distractions but in Michigan I took a different approach; I enjoyed a nice Friday dinner with Erika at Noodles & Company--I'd never been there before; the chicken soup is very good--and after the short drive back to the MET we found a quiet corner in an unoccupied ballroom so that I could teach Erika some chess basics. I have been teaching chess since 1999 but I rarely teach complete beginners so I do not have much experience showing someone how the pieces move; it is fascinating to see the game through "beginner's eyes" and this is also a good way to look at life: to perceive each moment as something new, exciting and wonderful.
Erika learned very quickly and thus was able to follow algebraic chess notation well enough to play through one of the most famous miniatures in chess history, Paul Morphy's 1858 "Opera Game" versus Count Isouard and the Duke of Brunswick:
1.e4 e5 2.Nf3 d6 3.d4 Bg4 4.dxe5 Bxf3 5.Qxf3 dxe5 6.Bc4 Nf6 7.Qb3 Qe7 8.Nc3 c6 9.Bg5 b5 10.Nxb5 cxb5 11.Bxb5+ Nbd7 12.0–0–0 Rd8 13.Rxd7 Rxd7 14.Rd1 Qe6 15.Bxd7+ Nxd7 16.Qb8+ Nxb8 17.Rd8# 1–0
The final position is a picturesque model of artistic harmony combined with brutal efficiency; Morphy sacrificed virtually his entire army in order to deliver checkmate:
Siegbert Tarrasch once said, "Chess, like love, like music, has the power to make men happy." One of the great joys of life is to savor the creations of a genius' mind and you don't have to be a genius to appreciate Mozart's music or Morphy's moves because the touchstone of genius is simplicity: think Richard Feynman and his demonstration about the O rings after the Space Shuttle Challenger disaster. Morphy's Opera Game has that touchstone of genius, so it is a pleasure to share a glimpse of that kind of genius with someone who previously did not know anything about it.
Perhaps inspired by the experience of sharing Morphy with Erika, I secured victory in my fifth round game with a nice tactical shot: in the position shown below I played ...Bh3+! If White takes the B then Black forces mate with ...Nf4+ followed by ...Qh5+ and Qf5++; White instead lost the Exchange after Kg1 and he resigned seven moves later.
Instead of lamenting the blunders that transformed my fourth round game from a win to a draw to a loss, I focused on being grateful for the opportunity to play in this fun tournament and I enjoyed finishing the event on a positive note with a crisp win.
Before I drove home on Monday, Erika showed me around Troy. We first visited the Somerset Collection in order to see the Sorvikivi Floating Stone Fountains (one of them is pictured below, courtesy of a public domain photo on Wikipedia:
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The next stop on the tour of "The City of Tomorrow, Today" was the Troy Community Center, home of the Ayrton's Head sculpture that used to be located in front of Kmart's world headquarters:
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