Music--delivered via radio, CD, TV, iPod or other systems--provides the soundtrack to our lives and music lyrics deliver the narrative. Lyrics can be brilliant, witty, humorous, insightful, outrageous or all of the above. Here are some lyrics that will inspire, amuse and/or offend you:
"Might not know it now
But, baby, I'm a star."-- Prince, "Baby I'm a Star"
"When my situation ain't improvin', I'm tryin' to murder everything movin'."--Jay-Z, "Hard Knock Life"
"Fool can't play the wise but the wise can act a fool
I stay cool and mild mannered and just put in my work
Don't push, you don't know what's up under my shirt
Don't you take me for soft, I got a heart that pump
Like a 12 gauge shotty when it starts to dump
You'se a mystery, cause you don't know who you runnin' towards
And got history, that shit is told by who won wars."--Dilated Peoples, "Kindness for Weakness"
"I got so much trouble on my mind
Refuse to lose."--Public Enemy, "Welcome to the Terrordome"
"Never question what I am
God knows
Cause it's comin' from the heart."--Public Enemy, "Welcome to the Terrordome"
"When it's sink or swim
You gotta think to win."--Ice Cube, "You Can Do It"
"I'm makin' moves, not fakin' moves."--L.L. Cool J, "Farmers Boulevard (Our Anthem)"
"Don't try to act crazy 'cause the shit don't faze me
If you ran like a punk it wouldn't amaze me."--Ice T, "Colors"
"Circumstances might not allow me to bust
Because they know I got more game than Toys 'R Us."--Tone Loc, "Cutting Rhythms"
"Every time u get some
People wanna take it back
They rather see u on the run
Than see u get it like that
Every time they stop u
Change up like a sock
Every time they try 2 clock u
Tick more than they tock."--Prince, "Push"
"Brother can you paradigm?
Pump, pump, fake, feint, fade, forward, jump, slam dunk...in your face
The tip-off, the tap-in, rushin', jumping, backboard crushing, dunking...in your face
Brother can you paradigm?
Shape-shifting
Shifting the shapes of things to come
Plays and instant replays are plays to come
Came and went, time well spent
Brother can you Paradigm?"--George Clinton/Prince, "Paradigm"
"Do fries go with that shake?"--George Clinton, "Do Fries Go With That Shake?"
"Sex is not all I think about
It's just all I think about...U."--Prince, "Shhh"
"Every time I comb my hair
Thoughts of U get in my eyes
U're a sinner, I don't care
I just want your creamy thighs."--Prince, "Erotic City"
"What if I called U silly names
Just like the ones that U call me?
What if I filled your eyes with tears
So many that U cannot see?"--Prince, "Billy Jack Bitch"
"You gotta love me or leave me alone."--Brand Nubian, "Love Me or Leave Me Alone"
"He came from somewhere back in her long ago
The sentimental fool don't see
Tryin' hard to recreate
What had yet to be created
Once in her life
She musters a smile
For his nostalgic tale
Never coming near what he wanted to say
Only to realize
It never really was."--Doobie Brothers, "What a Fool Believes"
"I keep your picture
Upon the wall
It hides a nasty stain that's lying there
So don't you ask me
To give it back
I know you know it doesn't mean that much to me
I'm not in love, no no, it's because..."--10CC, "I'm Not in Love"
"You could have been with me
Instead of alone and lonely."--Sheena Easton, "You Could Have Been With Me"
"Hey Nineteen
That's 'Retha Franklin
She don't remember
The Queen of Soul
Hard times have befallen
The Soul Survivors
She thinks I'm crazy
But I'm just growing old."--Steely Dan, "Hey Nineteen"
"I've seen your picture
Your name in lights above it
This is your big debut
It's like a dream come true
And when you smile for the camera
I know they're gonna love it."--Steely Dan, "Peg"
"I don't need you to worry for me cause I'm all right
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone."--Billy Joel, "My Life"
"They say there's a heaven for those who will wait
Some say it's better but I say it ain't
I'd rather laugh with the sinners than cry with the saints
The sinners are much more fun...
You know that only the good die young."--Billy Joel, "Only the Good Die Young"
"All you got is this moment."--INXS, "Need You Tonight"
"Well I'm sick of it
It's a load of shit
We could stop the world
And let off all the fools
And let them go live
With their guns in the sky."--INXS, "Guns in the Sky"
"Knowledge, wisdom and understanding brings long life and health
Think anything else and ya playin' yaself."--Jeru the Damaja, "Ya Playin' Yaself"
"I'm a true master you can check my credentials
Cause I choose to use my infinite potential...
I'm the mack so I don't need to tote a Mac
My attack is purely mental and its nature's not hate
It's meant to wake ya up out of your brainwashed state."--Jeru tha Damaja, "Come Clean"
"You wouldn't let me say the words I longed to say
You didn't want to see life through my eyes
[Express yourself, don't repress yourself]
You tried to shove me back inside your narrow room
And silence me with bitterness and lies
[Express yourself, don't repress yourself]."--Madonna, "Human Nature"
"Don't care what people say
Just follow your own way
Don't give up and use the chance
To return to innocence
That's not the beginning of the end
That's the return to yourself
The return to innocence."--Enigma, "Return to Innocence"
"I ask you lord why you enlightened me
Without the enlightenment of all my folks
He said 'cause I set myself on a quest for truth
And he was there to quench my thirst
But I am still thirsty..."--Arrested Development, "Tennessee"
"Count the Days" is a powerful song with a deceptively simple melody that almost sounds like a lullabye--and that melody is completely incongruous with the song's harsh but understandably strident lyrics directed toward oppressors of all kinds:
"Count the Days"
I have been "counting the days" my entire life but I doubt that I will live long enough to see things turn out the way that they are supposed to be.
Showing posts with label Sheena Easton. Show all posts
Showing posts with label Sheena Easton. Show all posts
Wednesday, February 5, 2014
Wednesday, May 22, 2013
Whatever Happened to Sheena Easton?
Sheena Easton is one of the most versatile recording artists of the past three decades; her sultry, soulful and passionate voice enabled her to become the only person who scored a top three hit on every major Billboard chart: Adult Contemporary, Dance, Pop, Country, and R&B. "9 to 5 (Morning Train)" reached number one on the Billboard Hot 100 chart and the Adult Contemporary chart in 1980, "We've Got Tonight" (a duet with Kenny Rogers) reached number one on the Country chart in 1983 and "Sugar Walls" reached number one on the Dance chart and number three on the R&B chart in 1985.
Easton's debut single was 1980's "Modern Girl":
Easton's single "9 to 5"--which was retitled "9 to 5 (Morning Train)" in the United States to avoid any confusion with Dolly Parton's 1980 number one hit--reached number three on the UK Billboard chart and that success elevated "Modern Girl" to top 10 status in the UK after the earlier single was re-released. Easton became the first woman to simultaneously have two top 10 UK singles. "9 to 5 (Morning Train)" also became Easton's first and only Billboard Hot 100 number one hit:
Her rendition of the theme song for the 1981 James Bond movie "For Your Eyes Only" was nominated for an Academy Award and a Golden Globe in 1982; it peaked at number four on the Hot 100 chart and number six on the Adult Contemporary chart and it is on the short list of best Bond theme songs ever:
"You Could Have Been With Me," released shortly after "For Your Eyes Only," peaked at number 15 on the Hot 100 chart and number six on the Adult Contemporary chart. Any spurned lover who feels like his or her former partner has made a mistake can identify with the piercing lyrics delivered by Easton on this track:
Easton teamed up with Kenny Rogers on a number one Country hit in 1983, "We've Got Tonight":
She soon followed that success with "Telefone (Long Distance Love Affair)," which reached number nine on the Dance chart in 1983:
Sheena Easton Telefone by Celtiemama
"Strut," which peaked at number seven on the 1984 Billboard Hot 100 and number six on the U.S. Dance chart, signaled a shift for Easton toward songs featuring lyrics that were more sexually suggestive:
Prince--using the pen name Alexander Nevermind--penned "Sugar Walls" for Easton and that single became her first and only number one Dance hit; it also was listed by the Parents Music Resource Center (PMRC) as one of the "Filthy Fifteen" songs. In 1987, Easton teamed up with Prince on the duet "U Got the Look," which reached number two on the Billboard Hot 100 and thus became the highest charting single from Prince's "Sign O' the Times" album. Easton was not listed on the credits when the single was released but she appeared very prominently in the song's video:
Between 1980 and 1988, Easton had eight top 10 singles on the Hot 100 chart but after "The Lover in Me" peaked at number two in 1988 only two of her next 22 singles were listed in the Hot 100: "Arms of Orion" (a duet with Prince that is featured on the 1989 Batman soundtrack) peaked at number 36 and 1991's "What Comes Naturally" peaked at number 19.
Since 1990, Easton has periodically released new music plus some compilation albums; Easton's 1993 album "No Strings" includes her cover version of "The One I Love Belongs to Somebody Else":
Recently, she has focused on theater work, voice-acting and performing in various venues in Las Vegas, her current residence; in 2004 she was inducted into the Casino Legends Hall of Fame.
Here is Easton performing "For Your Eyes Only" at a 2012 concert in Chicago:
Easton's debut single was 1980's "Modern Girl":
Easton's single "9 to 5"--which was retitled "9 to 5 (Morning Train)" in the United States to avoid any confusion with Dolly Parton's 1980 number one hit--reached number three on the UK Billboard chart and that success elevated "Modern Girl" to top 10 status in the UK after the earlier single was re-released. Easton became the first woman to simultaneously have two top 10 UK singles. "9 to 5 (Morning Train)" also became Easton's first and only Billboard Hot 100 number one hit:
Her rendition of the theme song for the 1981 James Bond movie "For Your Eyes Only" was nominated for an Academy Award and a Golden Globe in 1982; it peaked at number four on the Hot 100 chart and number six on the Adult Contemporary chart and it is on the short list of best Bond theme songs ever:
"You Could Have Been With Me," released shortly after "For Your Eyes Only," peaked at number 15 on the Hot 100 chart and number six on the Adult Contemporary chart. Any spurned lover who feels like his or her former partner has made a mistake can identify with the piercing lyrics delivered by Easton on this track:
Easton teamed up with Kenny Rogers on a number one Country hit in 1983, "We've Got Tonight":
She soon followed that success with "Telefone (Long Distance Love Affair)," which reached number nine on the Dance chart in 1983:
Sheena Easton Telefone by Celtiemama
"Strut," which peaked at number seven on the 1984 Billboard Hot 100 and number six on the U.S. Dance chart, signaled a shift for Easton toward songs featuring lyrics that were more sexually suggestive:
Prince--using the pen name Alexander Nevermind--penned "Sugar Walls" for Easton and that single became her first and only number one Dance hit; it also was listed by the Parents Music Resource Center (PMRC) as one of the "Filthy Fifteen" songs. In 1987, Easton teamed up with Prince on the duet "U Got the Look," which reached number two on the Billboard Hot 100 and thus became the highest charting single from Prince's "Sign O' the Times" album. Easton was not listed on the credits when the single was released but she appeared very prominently in the song's video:
Between 1980 and 1988, Easton had eight top 10 singles on the Hot 100 chart but after "The Lover in Me" peaked at number two in 1988 only two of her next 22 singles were listed in the Hot 100: "Arms of Orion" (a duet with Prince that is featured on the 1989 Batman soundtrack) peaked at number 36 and 1991's "What Comes Naturally" peaked at number 19.
Since 1990, Easton has periodically released new music plus some compilation albums; Easton's 1993 album "No Strings" includes her cover version of "The One I Love Belongs to Somebody Else":
Recently, she has focused on theater work, voice-acting and performing in various venues in Las Vegas, her current residence; in 2004 she was inducted into the Casino Legends Hall of Fame.
Here is Easton performing "For Your Eyes Only" at a 2012 concert in Chicago:
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